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Aunt Jo’s Scrap-Bag Vol. 1
by Louisa May Alcott
Aunt Jo’s Scrap-Bag Vol. 1 is a collection of short stories by Louisa May Alcott, first published in 1868. It is a collection of stories for children that explore themes of adventure, family, and the human condition.
go home to Pologne and am no more "juif errant." It is now time I work at my life in some useful way, and I do it. 'As I am your grand fils, it is proper that I make you my compliment of happy Christmas and New Year, is it not? I wish for you so many as they may fulfil long human life. May this year bring you more and more good hearts to love you (the only real happiness in the hard life), and may I be as now, yours for always, 'VARJO.' A year ago he sent me his photograph and a few lines. I acknowledged the receipt of it, but since then not a word has come, and I begin to fear that my boy is dead. Others have appeared to take his place, but they don't suit, and I keep his corner always ready for him if he lives. If he is dead, I am glad to have known so sweet and brave a character, for it does one good to see even as short-lived and obscure a hero as my Polish boy, whose dead December rose embalms for me the memory of Varjo, the last and dearest of my boys. It is hardly necessary to add, for the satisfaction of inquisitive
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Crime and PunishmentWhy Type a Masterpiece?
Typing out classical literature is not just an exercise in patience; it's a deeply immersive way to understand the rhythm, structure, and nuances of great writing. By manually reproducing the works of renowned authors, you engage with the text on a level that reading alone cannot offer. This method allows you to feel the flow of sentences, the choice of words, and the intricate construction of paragraphs that make these works timeless.
Style is a very simple matter; it is all rhythm. Once you get that, you can't use the wrong words.
– Virginia Woolf
literati is a unique platform where writers can select from a vast collection of public domain classics to type out. This practice is akin to a musician playing pieces by the masters to internalize the elements of composition and performance. Just as the musician learns the subtleties of each note and chord, the writer learns the power of each word and sentence.
Prose is like hair; it shines with combing.
– Gustave Flaubert
Engaging directly with masterpieces allows writers to absorb the rhythm of the text, the ebb and flow of its pacing, and the beauty of its imagery. It cultivates an appreciation for the craft of writing and provides invaluable lessons in how to construct compelling narratives, develop characters, and evoke emotions in readers. Happy typing!
The only truth is music.
– Jack Kerouac