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Aunt Jo’s Scrap-Bag Vol. 1
by Louisa May Alcott
Aunt Jo’s Scrap-Bag Vol. 1 is a collection of short stories by Louisa May Alcott, first published in 1868. It is a collection of stories for children that explore themes of adventure, family, and the human condition.
gave zest to our amusements. Joseph and Napoleon sometimes joined us, and I felt in my element with the three invalid soldier boys, for Napoleon still limped with a wound received in the war, Joseph had never recovered from his two years' imprisonment in an Austrian dungeon, and Laddie's loyalty might yet cost him his life. Thanks to them, I discovered a joke played upon me by my 'polisson'. He told me to call him 'ma drogha,' saying it meant 'my friend,' in Polish. I innocently did so, and he seemed to find great pleasure in it, for his eyes always laughed when I said it. Using it one day before the other lads, I saw a queer twinkle in their eyes, and suspecting mischief, demanded the real meaning of the words. Laddie tried to silence them, but the joke was too good to keep, and I found to my dismay that I had been calling him 'my darling' in the tenderest manner. How the three rascals shouted, and what a vain struggle it was to try and preserve my dignity when Laddie clasped his hands and begged pardon, explaining that jokes were necessary to his health, and he never meant me to know the full baseness of this 'pleasantrie!' I revenged myself by
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CranfordWhy Type a Masterpiece?
Typing out classical literature is not just an exercise in patience; it's a deeply immersive way to understand the rhythm, structure, and nuances of great writing. By manually reproducing the works of renowned authors, you engage with the text on a level that reading alone cannot offer. This method allows you to feel the flow of sentences, the choice of words, and the intricate construction of paragraphs that make these works timeless.
Style is a very simple matter; it is all rhythm. Once you get that, you can't use the wrong words.
– Virginia Woolf
literati is a unique platform where writers can select from a vast collection of public domain classics to type out. This practice is akin to a musician playing pieces by the masters to internalize the elements of composition and performance. Just as the musician learns the subtleties of each note and chord, the writer learns the power of each word and sentence.
Prose is like hair; it shines with combing.
– Gustave Flaubert
Engaging directly with masterpieces allows writers to absorb the rhythm of the text, the ebb and flow of its pacing, and the beauty of its imagery. It cultivates an appreciation for the craft of writing and provides invaluable lessons in how to construct compelling narratives, develop characters, and evoke emotions in readers. Happy typing!
The only truth is music.
– Jack Kerouac