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Practice your writing by typing out classic literature. This method not only enhances your understanding of rhythm, structure, and nuances but also connects you deeply with the timeless flow of literary history.This is a BETA version.

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The Horror at Red Hook

by H.P. Lovecraft

The Horror at Red Hook is a short story by H. P. Lovecraft. Written on August 1–2, 1925, it was first published in the January 1927 issue of Weird Tales (Vol. 9, No. 1, p. 73–94). It is based on the urban legend of the Red Hook, Brooklyn, New York, and tells the story of a New York City detective who encounters, and becomes involved in, a series of occult-related events.

Read more about H.P. Lovecraft
The Horror at Red Hook
Malone staggered after them a few steps, delirious and hazy, and
doubtful of his place in this or any world.  Then he turned,
faltered, and sank down on the cold damp stone, gasping and shivering
as the demon organ croaked on, and the howling and drumming and
tinkling of the mad procession grew fainter and fainter.

Vaguely he was conscious of chanted horrors, and shocking croakings
afar off.  Now and then a wail or whine of ceremonial devotion would
float to him through the black arcade, whilst eventually there rose
the dreadful Greek incantation whose text he had read above the
pulpit of that dance-hall church.

"O friend and companion of night thou who rejoicest in the baying of
dogs (here a hideous howl burst forth) and spilt blood (here nameless
sounds vied with morbid shriekings), who wanderest in the midst of
shades among the tombs (here a whistling sigh occurred), who longest
for blood and bringest terror to mortals (short, sharp cries from
myriad throats), Gorgo (repeated as response), Mormo (repeated with
ecstasy), thousand-faced moon (sighs and flute notes), look favorably
on our sacrifices!"

As the chant closed, a general shout went up, and hissing sounds
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Why Type a Masterpiece?

Typing out classical literature is not just an exercise in patience; it's a deeply immersive way to understand the rhythm, structure, and nuances of great writing. By manually reproducing the works of renowned authors, you engage with the text on a level that reading alone cannot offer. This method allows you to feel the flow of sentences, the choice of words, and the intricate construction of paragraphs that make these works timeless.

Style is a very simple matter; it is all rhythm. Once you get that, you can't use the wrong words.

– Virginia Woolf

literati is a unique platform where writers can select from a vast collection of public domain classics to type out. This practice is akin to a musician playing pieces by the masters to internalize the elements of composition and performance. Just as the musician learns the subtleties of each note and chord, the writer learns the power of each word and sentence.

Prose is like hair; it shines with combing.

– Gustave Flaubert

Engaging directly with masterpieces allows writers to absorb the rhythm of the text, the ebb and flow of its pacing, and the beauty of its imagery. It cultivates an appreciation for the craft of writing and provides invaluable lessons in how to construct compelling narratives, develop characters, and evoke emotions in readers. Happy typing!

The only truth is music.

– Jack Kerouac

More on this topic:

"Imitate then innovate", an article by David Perell