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Practice your writing by typing out classic literature. This method not only enhances your understanding of rhythm, structure, and nuances but also connects you deeply with the timeless flow of literary history.This is a BETA version.

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The Horror at Red Hook

by H.P. Lovecraft

The Horror at Red Hook is a short story by H. P. Lovecraft. Written on August 1–2, 1925, it was first published in the January 1927 issue of Weird Tales (Vol. 9, No. 1, p. 73–94). It is based on the urban legend of the Red Hook, Brooklyn, New York, and tells the story of a New York City detective who encounters, and becomes involved in, a series of occult-related events.

Read more about H.P. Lovecraft
The Horror at Red Hook
those nighted crypts, those titan arcades, and those half-formed
shapes of hell that strode gigantically in silence holding half-eaten
things whose still surviving portions screamed for mercy or laughed
with madness.  Odors of incense and corruption joined in sickening
concert, and the black air was alive with the cloudy, semi-visible
bulk of shapeless elemental things with eyes.  Somewhere dark sticky
water was lapping at onyx piers, and once the shivery tinkle of
raucous little bells pealed out to greet the insane titter of a naked
phosphorescent thing which swam into sight, scrambled ashore, and
climbed up to squat leeringly on a carved golden pedestal in the
black ground.

Avenues of limitless night seemed to radiate in every direction, till
one might fancy that here lay the root of a contagion destined to
sicken and swallow cities, and engulf nations in the fetor of hybrid
pestilence.  Here cosmic sin had entered, and festered by unhallowed
rites had commenced the grinning march of death that was to rot us
all to fungus abnormalities too hideous for the grave's holding.
Satan here held his Babylonish court, and in the blood of stainless
childhood the leprous limbs of phosphorescent Lilith were laved.
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Why Type a Masterpiece?

Typing out classical literature is not just an exercise in patience; it's a deeply immersive way to understand the rhythm, structure, and nuances of great writing. By manually reproducing the works of renowned authors, you engage with the text on a level that reading alone cannot offer. This method allows you to feel the flow of sentences, the choice of words, and the intricate construction of paragraphs that make these works timeless.

Style is a very simple matter; it is all rhythm. Once you get that, you can't use the wrong words.

– Virginia Woolf

literati is a unique platform where writers can select from a vast collection of public domain classics to type out. This practice is akin to a musician playing pieces by the masters to internalize the elements of composition and performance. Just as the musician learns the subtleties of each note and chord, the writer learns the power of each word and sentence.

Prose is like hair; it shines with combing.

– Gustave Flaubert

Engaging directly with masterpieces allows writers to absorb the rhythm of the text, the ebb and flow of its pacing, and the beauty of its imagery. It cultivates an appreciation for the craft of writing and provides invaluable lessons in how to construct compelling narratives, develop characters, and evoke emotions in readers. Happy typing!

The only truth is music.

– Jack Kerouac

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"Imitate then innovate", an article by David Perell