Write as |
Practice your writing by typing out classic literature. This method not only enhances your understanding of rhythm, structure, and nuances but also connects you deeply with the timeless flow of literary history.This is a BETA version.
The Horror at Red Hook
by H.P. Lovecraft
The Horror at Red Hook is a short story by H. P. Lovecraft. Written on August 1–2, 1925, it was first published in the January 1927 issue of Weird Tales (Vol. 9, No. 1, p. 73–94). It is based on the urban legend of the Red Hook, Brooklyn, New York, and tells the story of a New York City detective who encounters, and becomes involved in, a series of occult-related events.
to preserve his liberty. Before the judge his manner grew urbane and reasonable, and he freely admitted the queerness of demeanor and extravagant cast of language into which he had fallen through excessive devotion to study and research. He was, he said, engaged in the investigation of certain details of European tradition which required the closest contact with foreign groups and their songs and folk dances. The notion that any low secret society was preying upon him, as hinted by his relatives, was obviously absurd; and showed how sadly limited was their understanding of him and his work. Triumphing with his calm explanations, he was suffered to depart unhindered; and the paid detectives of the Suydams, Corlears and Van Brunts were withdrawn in resigned disgust. It was here that an alliance of Federal inspectors and police, Malone with them, entered the case. The law had watched the Suydam action with interest, and had in many instances been called upon to aid the private detectives. In this work it developed that Suydam's new associates were among the blackest and most vicious criminals of Red Hook's devious lanes, and that at least a third of them were known
Other classics
Herman Melville
Moby-Dick; or, The Whale
Louisa May Alcott
Aunt Jo’s Scrap-Bag Vol. 1
August Strindberg
Röda Rummet
Fyodor Dostoyevsky
Crime and Punishment
Emily Brontë
Wuthering Heights
Franz Kafka
The Metamorphosis
Marcel Proust
Within a Budding Grove
Hjalmar Söderberg
Förvillelser
William Shakespeare
Romeo and Juliet
August Strindberg
Inferno
Oscar Wilde
The Picture of Dorian Gray
Elizabeth Cleghorn Gaskell
Cranford
Virginia Woolf
Mrs. Dalloway
Lewis Carroll
Alice's Adventures in Wonderland
Marcel Proust
Swann's Way
Jane Austen
Emma
Victoria Benedictsson
Modern
Henry David Thoreau
Walden
F. Scott Fitzgerald
The Great Gatsby
Mary Shelley
Frankenstein
Ernest Hemingway
In Our TimeWhy Type a Masterpiece?
Typing out classical literature is not just an exercise in patience; it's a deeply immersive way to understand the rhythm, structure, and nuances of great writing. By manually reproducing the works of renowned authors, you engage with the text on a level that reading alone cannot offer. This method allows you to feel the flow of sentences, the choice of words, and the intricate construction of paragraphs that make these works timeless.
Style is a very simple matter; it is all rhythm. Once you get that, you can't use the wrong words.
– Virginia Woolf
literati is a unique platform where writers can select from a vast collection of public domain classics to type out. This practice is akin to a musician playing pieces by the masters to internalize the elements of composition and performance. Just as the musician learns the subtleties of each note and chord, the writer learns the power of each word and sentence.
Prose is like hair; it shines with combing.
– Gustave Flaubert
Engaging directly with masterpieces allows writers to absorb the rhythm of the text, the ebb and flow of its pacing, and the beauty of its imagery. It cultivates an appreciation for the craft of writing and provides invaluable lessons in how to construct compelling narratives, develop characters, and evoke emotions in readers. Happy typing!
The only truth is music.
– Jack Kerouac