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Crime and Punishment

by Fyodor Dostoyevsky

Crime and Punishment is a novel by the Russian author Fyodor Dostoyevsky. It was first published in the literary journal The Russian Messenger in twelve monthly installments during 1866. It is the second of Dostoyevsky's full-length novels following his return from 5 years of exile in Siberia and is considered the first great novel of his "mature" period of writing. The novel is often cited as one of the supreme achievements in literature.

Read more about Fyodor Dostoyevsky
Crime and Punishment
She made haste to smile, afraid that he might not like the reproach.

“I was silly to come away from there. What is happening there now? I
wanted to go back directly, but I kept thinking that... you would come.”

He told her that Amalia Ivanovna was turning them out of their lodging
and that Katerina Ivanovna had run off somewhereto seek justice.”

“My God!” cried Sonia, “lets go at once....”

And she snatched up her cape.

“Its everlastingly the same thing!” said Raskolnikov, irritably.
“Youve no thought except for them! Stay a little with me.”

“But... Katerina Ivanovna?”

“You wont lose Katerina Ivanovna, you may be sure, shell come to you
herself since she has run out,” he added peevishly. “If she doesnt find
you here, youll be blamed for it....”

Sonia sat down in painful suspense. Raskolnikov was silent, gazing at
the floor and deliberating.

“This time Luzhin did not want to prosecute you,” he began, not looking
at Sonia, “but if he had wanted to, if it had suited his plans, he would
have sent you to prison if it had not been for Lebeziatnikov and me.
Ah?”

“Yes,” she assented in a faint voice. “Yes,” she repeated, preoccupied
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Typing out classical literature is not just an exercise in patience; it's a deeply immersive way to understand the rhythm, structure, and nuances of great writing. By manually reproducing the works of renowned authors, you engage with the text on a level that reading alone cannot offer. This method allows you to feel the flow of sentences, the choice of words, and the intricate construction of paragraphs that make these works timeless.

Style is a very simple matter; it is all rhythm. Once you get that, you can't use the wrong words.

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– Gustave Flaubert

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"Imitate then innovate", an article by David Perell