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Crime and Punishment

by Fyodor Dostoyevsky

Crime and Punishment is a novel by the Russian author Fyodor Dostoyevsky. It was first published in the literary journal The Russian Messenger in twelve monthly installments during 1866. It is the second of Dostoyevsky's full-length novels following his return from 5 years of exile in Siberia and is considered the first great novel of his "mature" period of writing. The novel is often cited as one of the supreme achievements in literature.

Read more about Fyodor Dostoyevsky
Crime and Punishment
out of this room: she came straight from you, you wretch, and sat down
beside me, everyone saw her. She sat here, by Rodion Romanovitch. Search
her! Since shes not left the room, the money would have to be on her!
Search her, search her! But if you dont find it, then excuse me, my
dear fellow, youll answer for it! Ill go to our Sovereign, to our
Sovereign, to our gracious Tsar himself, and throw myself at his feet,
to-day, this minute! I am alone in the world! They would let me in! Do
you think they wouldnt? Youre wrong, I will get in! I will get in!
You reckoned on her meekness! You relied upon that! But I am not so
submissive, let me tell you! Youve gone too far yourself. Search her,
search her!”

And Katerina Ivanovna in a frenzy shook Luzhin and dragged him towards
Sonia.

“I am ready, Ill be responsible... but calm yourself, madam, calm
yourself. I see that you are not so submissive!... Well, well, but as to
that...” Luzhin muttered, “that ought to be before the police... though
indeed there are witnesses enough as it is.... I am ready.... But in
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Style is a very simple matter; it is all rhythm. Once you get that, you can't use the wrong words.

– Virginia Woolf

literati is a unique platform where writers can select from a vast collection of public domain classics to type out. This practice is akin to a musician playing pieces by the masters to internalize the elements of composition and performance. Just as the musician learns the subtleties of each note and chord, the writer learns the power of each word and sentence.

Prose is like hair; it shines with combing.

– Gustave Flaubert

Engaging directly with masterpieces allows writers to absorb the rhythm of the text, the ebb and flow of its pacing, and the beauty of its imagery. It cultivates an appreciation for the craft of writing and provides invaluable lessons in how to construct compelling narratives, develop characters, and evoke emotions in readers. Happy typing!

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More on this topic:

"Imitate then innovate", an article by David Perell