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Crime and Punishment

by Fyodor Dostoyevsky

Crime and Punishment is a novel by the Russian author Fyodor Dostoyevsky. It was first published in the literary journal The Russian Messenger in twelve monthly installments during 1866. It is the second of Dostoyevsky's full-length novels following his return from 5 years of exile in Siberia and is considered the first great novel of his "mature" period of writing. The novel is often cited as one of the supreme achievements in literature.

Read more about Fyodor Dostoyevsky
Crime and Punishment
Ivanovna, I think it is? Allow me to pass.”

Pyotr Petrovitch, edging by her, went to the opposite corner where Sonia
was.

Katerina Ivanovna remained standing where she was, as though
thunderstruck. She could not understand how Pyotr Petrovitch could deny
having enjoyed her fathers hospitality. Though she had invented it
herself, she believed in it firmly by this time. She was struck too
by the businesslike, dry and even contemptuous menacing tone of Pyotr
Petrovitch. All the clamour gradually died away at his entrance. Not
only was thisserious business manstrikingly incongruous with the
rest of the party, but it was evident, too, that he had come upon some
matter of consequence, that some exceptional cause must have brought him
and that therefore something was going to happen. Raskolnikov, standing
beside Sonia, moved aside to let him pass; Pyotr Petrovitch did not
seem to notice him. A minute later Lebeziatnikov, too, appeared in the
doorway; he did not come in, but stood still, listening with marked
interest, almost wonder, and seemed for a time perplexed.

“Excuse me for possibly interrupting you, but its a matter of
some importance,” Pyotr Petrovitch observed, addressing the company
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Why Type a Masterpiece?

Typing out classical literature is not just an exercise in patience; it's a deeply immersive way to understand the rhythm, structure, and nuances of great writing. By manually reproducing the works of renowned authors, you engage with the text on a level that reading alone cannot offer. This method allows you to feel the flow of sentences, the choice of words, and the intricate construction of paragraphs that make these works timeless.

Style is a very simple matter; it is all rhythm. Once you get that, you can't use the wrong words.

– Virginia Woolf

literati is a unique platform where writers can select from a vast collection of public domain classics to type out. This practice is akin to a musician playing pieces by the masters to internalize the elements of composition and performance. Just as the musician learns the subtleties of each note and chord, the writer learns the power of each word and sentence.

Prose is like hair; it shines with combing.

– Gustave Flaubert

Engaging directly with masterpieces allows writers to absorb the rhythm of the text, the ebb and flow of its pacing, and the beauty of its imagery. It cultivates an appreciation for the craft of writing and provides invaluable lessons in how to construct compelling narratives, develop characters, and evoke emotions in readers. Happy typing!

The only truth is music.

– Jack Kerouac

More on this topic:

"Imitate then innovate", an article by David Perell