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Crime and Punishment
by Fyodor Dostoyevsky
Crime and Punishment is a novel by the Russian author Fyodor Dostoyevsky. It was first published in the literary journal The Russian Messenger in twelve monthly installments during 1866. It is the second of Dostoyevsky's full-length novels following his return from 5 years of exile in Siberia and is considered the first great novel of his "mature" period of writing. The novel is often cited as one of the supreme achievements in literature.
friend of his, so that it would have been awkward not to invite him.” Among those who failed to appear were “the genteel lady and her old-maidish daughter,” who had only been lodgers in the house for the last fortnight, but had several times complained of the noise and uproar in Katerina Ivanovna’s room, especially when Marmeladov had come back drunk. Katerina Ivanovna heard this from Amalia Ivanovna who, quarrelling with Katerina Ivanovna, and threatening to turn the whole family out of doors, had shouted at her that they “were not worth the foot” of the honourable lodgers whom they were disturbing. Katerina Ivanovna determined now to invite this lady and her daughter, “whose foot she was not worth,” and who had turned away haughtily when she casually met them, so that they might know that “she was more noble in her thoughts and feelings and did not harbour malice,” and might see that she was not accustomed to her way of living. She had proposed to make this clear to them at dinner with allusions to her late father’s governorship, and also at the same time to hint that it was exceedingly stupid of them to turn away on meeting her. The fat colonel-major (he
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Style is a very simple matter; it is all rhythm. Once you get that, you can't use the wrong words.
– Virginia Woolf
literati is a unique platform where writers can select from a vast collection of public domain classics to type out. This practice is akin to a musician playing pieces by the masters to internalize the elements of composition and performance. Just as the musician learns the subtleties of each note and chord, the writer learns the power of each word and sentence.
Prose is like hair; it shines with combing.
– Gustave Flaubert
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