Write as |
Practice your writing by typing out classic literature. This method not only enhances your understanding of rhythm, structure, and nuances but also connects you deeply with the timeless flow of literary history.This is a BETA version.
Crime and Punishment
by Fyodor Dostoyevsky
Crime and Punishment is a novel by the Russian author Fyodor Dostoyevsky. It was first published in the literary journal The Russian Messenger in twelve monthly installments during 1866. It is the second of Dostoyevsky's full-length novels following his return from 5 years of exile in Siberia and is considered the first great novel of his "mature" period of writing. The novel is often cited as one of the supreme achievements in literature.
Porfiry, he could not help shuddering again with horror. Of course, he did not yet know all Porfiry’s aims, he could not see into all his calculations. But he had already partly shown his hand, and no one knew better than Raskolnikov how terrible Porfiry’s “lead” had been for him. A little more and he _might_ have given himself away completely, circumstantially. Knowing his nervous temperament and from the first glance seeing through him, Porfiry, though playing a bold game, was bound to win. There’s no denying that Raskolnikov had compromised himself seriously, but no _facts_ had come to light as yet; there was nothing positive. But was he taking a true view of the position? Wasn’t he mistaken? What had Porfiry been trying to get at? Had he really some surprise prepared for him? And what was it? Had he really been expecting something or not? How would they have parted if it had not been for the unexpected appearance of Nikolay? Porfiry had shown almost all his cards--of course, he had risked something in showing them--and if he had really had anything up his sleeve (Raskolnikov reflected), he would have shown that, too. What was
Other classics
Louisa May Alcott
Aunt Jo’s Scrap-Bag Vol. 1
Marcel Proust
Within a Budding Grove
Hjalmar Söderberg
Förvillelser
Virginia Woolf
Mrs. Dalloway
Elizabeth Cleghorn Gaskell
Cranford
Jane Austen
Emma
August Strindberg
Röda Rummet
Franz Kafka
The Metamorphosis
F. Scott Fitzgerald
The Great Gatsby
Emily Brontë
Wuthering Heights
Mary Shelley
Frankenstein
Ernest Hemingway
In Our Time
Oscar Wilde
The Picture of Dorian Gray
Marcel Proust
Swann's Way
William Shakespeare
Romeo and Juliet
Herman Melville
Moby-Dick; or, The Whale
Henry David Thoreau
Walden
August Strindberg
Inferno
Victoria Benedictsson
Modern
Lewis Carroll
Alice's Adventures in WonderlandYour Writing Progress
Why Type a Masterpiece?
Typing out classical literature is not just an exercise in patience; it's a deeply immersive way to understand the rhythm, structure, and nuances of great writing. By manually reproducing the works of renowned authors, you engage with the text on a level that reading alone cannot offer. This method allows you to feel the flow of sentences, the choice of words, and the intricate construction of paragraphs that make these works timeless.
Style is a very simple matter; it is all rhythm. Once you get that, you can't use the wrong words.
– Virginia Woolf
literati is a unique platform where writers can select from a vast collection of public domain classics to type out. This practice is akin to a musician playing pieces by the masters to internalize the elements of composition and performance. Just as the musician learns the subtleties of each note and chord, the writer learns the power of each word and sentence.
Prose is like hair; it shines with combing.
– Gustave Flaubert
Engaging directly with masterpieces allows writers to absorb the rhythm of the text, the ebb and flow of its pacing, and the beauty of its imagery. It cultivates an appreciation for the craft of writing and provides invaluable lessons in how to construct compelling narratives, develop characters, and evoke emotions in readers. Happy typing!
The only truth is music.
– Jack Kerouac