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Practice your writing by typing out classic literature. This method not only enhances your understanding of rhythm, structure, and nuances but also connects you deeply with the timeless flow of literary history.This is a BETA version.

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Crime and Punishment

by Fyodor Dostoyevsky

Crime and Punishment is a novel by the Russian author Fyodor Dostoyevsky. It was first published in the literary journal The Russian Messenger in twelve monthly installments during 1866. It is the second of Dostoyevsky's full-length novels following his return from 5 years of exile in Siberia and is considered the first great novel of his "mature" period of writing. The novel is often cited as one of the supreme achievements in literature.

Read more about Fyodor Dostoyevsky
Crime and Punishment
Raskolnikov had hardly opened his eyes and he instantly closed them
again. He lay on his back without stirring.

“Is it still a dream?” he wondered and again raised his eyelids hardly
perceptibly; the stranger was standing in the same place, still watching
him.

He stepped cautiously into the room, carefully closing the door after
him, went up to the table, paused a moment, still keeping his eyes on
Raskolnikov, and noiselessly seated himself on the chair by the sofa; he
put his hat on the floor beside him and leaned his hands on his cane
and his chin on his hands. It was evident that he was prepared to wait
indefinitely. As far as Raskolnikov could make out from his stolen
glances, he was a man no longer young, stout, with a full, fair, almost
whitish beard.

Ten minutes passed. It was still light, but beginning to get dusk. There
was complete stillness in the room. Not a sound came from the stairs.
Only a big fly buzzed and fluttered against the window pane. It was
unbearable at last. Raskolnikov suddenly got up and sat on the sofa.

“Come, tell me what you want.”

“I knew you were not asleep, but only pretending,” the stranger answered
oddly, laughing calmly. “Arkady Ivanovitch Svidrigaïlov, allow me to
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Why Type a Masterpiece?

Typing out classical literature is not just an exercise in patience; it's a deeply immersive way to understand the rhythm, structure, and nuances of great writing. By manually reproducing the works of renowned authors, you engage with the text on a level that reading alone cannot offer. This method allows you to feel the flow of sentences, the choice of words, and the intricate construction of paragraphs that make these works timeless.

Style is a very simple matter; it is all rhythm. Once you get that, you can't use the wrong words.

– Virginia Woolf

literati is a unique platform where writers can select from a vast collection of public domain classics to type out. This practice is akin to a musician playing pieces by the masters to internalize the elements of composition and performance. Just as the musician learns the subtleties of each note and chord, the writer learns the power of each word and sentence.

Prose is like hair; it shines with combing.

– Gustave Flaubert

Engaging directly with masterpieces allows writers to absorb the rhythm of the text, the ebb and flow of its pacing, and the beauty of its imagery. It cultivates an appreciation for the craft of writing and provides invaluable lessons in how to construct compelling narratives, develop characters, and evoke emotions in readers. Happy typing!

The only truth is music.

– Jack Kerouac

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"Imitate then innovate", an article by David Perell