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Practice your writing by typing out classic literature. This method not only enhances your understanding of rhythm, structure, and nuances but also connects you deeply with the timeless flow of literary history.This is a BETA version.
Crime and Punishment
by Fyodor Dostoyevsky
Crime and Punishment is a novel by the Russian author Fyodor Dostoyevsky. It was first published in the literary journal The Russian Messenger in twelve monthly installments during 1866. It is the second of Dostoyevsky's full-length novels following his return from 5 years of exile in Siberia and is considered the first great novel of his "mature" period of writing. The novel is often cited as one of the supreme achievements in literature.
“A student then, or formerly a student,” cried the clerk. “Just what I thought! I’m a man of experience, immense experience, sir,” and he tapped his forehead with his fingers in self-approval. “You’ve been a student or have attended some learned institution!... But allow me....” He got up, staggered, took up his jug and glass, and sat down beside the young man, facing him a little sideways. He was drunk, but spoke fluently and boldly, only occasionally losing the thread of his sentences and drawling his words. He pounced upon Raskolnikov as greedily as though he too had not spoken to a soul for a month. “Honoured sir,” he began almost with solemnity, “poverty is not a vice, that’s a true saying. Yet I know too that drunkenness is not a virtue, and that that’s even truer. But beggary, honoured sir, beggary is a vice. In poverty you may still retain your innate nobility of soul, but in beggary--never--no one. For beggary a man is not chased out of human society with a stick, he is swept out with a broom, so as to make it as humiliating as possible; and quite right, too, forasmuch as in beggary I am ready to be the first to humiliate myself. Hence the pot-house!
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Mary Shelley
Frankenstein
Marcel Proust
Within a Budding Grove
F. Scott Fitzgerald
The Great Gatsby
Emily Brontë
Wuthering Heights
Oscar Wilde
The Picture of Dorian Gray
Lewis Carroll
Alice's Adventures in Wonderland
Henry David Thoreau
Walden
Franz Kafka
The Metamorphosis
Jane Austen
Emma
Hjalmar Söderberg
Förvillelser
Marcel Proust
Swann's Way
Virginia Woolf
Mrs. Dalloway
Ernest Hemingway
In Our Time
William Shakespeare
Romeo and Juliet
Herman Melville
Moby-Dick; or, The Whale
Victoria Benedictsson
Modern
Louisa May Alcott
Aunt Jo’s Scrap-Bag Vol. 1
August Strindberg
Röda Rummet
Elizabeth Cleghorn Gaskell
Cranford
August Strindberg
InfernoWhy Type a Masterpiece?
Typing out classical literature is not just an exercise in patience; it's a deeply immersive way to understand the rhythm, structure, and nuances of great writing. By manually reproducing the works of renowned authors, you engage with the text on a level that reading alone cannot offer. This method allows you to feel the flow of sentences, the choice of words, and the intricate construction of paragraphs that make these works timeless.
Style is a very simple matter; it is all rhythm. Once you get that, you can't use the wrong words.
– Virginia Woolf
literati is a unique platform where writers can select from a vast collection of public domain classics to type out. This practice is akin to a musician playing pieces by the masters to internalize the elements of composition and performance. Just as the musician learns the subtleties of each note and chord, the writer learns the power of each word and sentence.
Prose is like hair; it shines with combing.
– Gustave Flaubert
Engaging directly with masterpieces allows writers to absorb the rhythm of the text, the ebb and flow of its pacing, and the beauty of its imagery. It cultivates an appreciation for the craft of writing and provides invaluable lessons in how to construct compelling narratives, develop characters, and evoke emotions in readers. Happy typing!
The only truth is music.
– Jack Kerouac