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Practice your writing by typing out classic literature. This method not only enhances your understanding of rhythm, structure, and nuances but also connects you deeply with the timeless flow of literary history.This is a BETA version.

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Crime and Punishment

by Fyodor Dostoyevsky

Crime and Punishment is a novel by the Russian author Fyodor Dostoyevsky. It was first published in the literary journal The Russian Messenger in twelve monthly installments during 1866. It is the second of Dostoyevsky's full-length novels following his return from 5 years of exile in Siberia and is considered the first great novel of his "mature" period of writing. The novel is often cited as one of the supreme achievements in literature.

Read more about Fyodor Dostoyevsky
Crime and Punishment
holding his breath. Suddenly he jumped up, seized the axe and ran out of
the bedroom.

In the middle of the room stood Lizaveta with a big bundle in her arms.
She was gazing in stupefaction at her murdered sister, white as a sheet
and seeming not to have the strength to cry out. Seeing him run out
of the bedroom, she began faintly quivering all over, like a leaf, a
shudder ran down her face; she lifted her hand, opened her mouth, but
still did not scream. She began slowly backing away from him into the
corner, staring intently, persistently at him, but still uttered no
sound, as though she could not get breath to scream. He rushed at her
with the axe; her mouth twitched piteously, as one sees babiesmouths,
when they begin to be frightened, stare intently at what frightens them
and are on the point of screaming. And this hapless Lizaveta was so
simple and had been so thoroughly crushed and scared that she did not
even raise a hand to guard her face, though that was the most necessary
and natural action at the moment, for the axe was raised over her face.
She only put up her empty left hand, but not to her face, slowly holding
it out before her as though motioning him away. The axe fell with the
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Why Type a Masterpiece?

Typing out classical literature is not just an exercise in patience; it's a deeply immersive way to understand the rhythm, structure, and nuances of great writing. By manually reproducing the works of renowned authors, you engage with the text on a level that reading alone cannot offer. This method allows you to feel the flow of sentences, the choice of words, and the intricate construction of paragraphs that make these works timeless.

Style is a very simple matter; it is all rhythm. Once you get that, you can't use the wrong words.

– Virginia Woolf

literati is a unique platform where writers can select from a vast collection of public domain classics to type out. This practice is akin to a musician playing pieces by the masters to internalize the elements of composition and performance. Just as the musician learns the subtleties of each note and chord, the writer learns the power of each word and sentence.

Prose is like hair; it shines with combing.

– Gustave Flaubert

Engaging directly with masterpieces allows writers to absorb the rhythm of the text, the ebb and flow of its pacing, and the beauty of its imagery. It cultivates an appreciation for the craft of writing and provides invaluable lessons in how to construct compelling narratives, develop characters, and evoke emotions in readers. Happy typing!

The only truth is music.

– Jack Kerouac

More on this topic:

"Imitate then innovate", an article by David Perell