Write as |
Practice your writing by typing out classic literature. This method not only enhances your understanding of rhythm, structure, and nuances but also connects you deeply with the timeless flow of literary history.This is a BETA version.
Emma
by Jane Austen
Emma, by Jane Austen, is a novel about youthful hubris and the perils of misconstrued romance. The story takes place in the fictional village of Highbury and the surrounding estates of Hartfield, Randalls, and Donwell Abbey and involves the relationships among individuals in those locations consisting of "3 or 4 families in a country village." The novel was first published in December 1815. As in her other novels, Austen explores the concerns and difficulties of genteel women living in Georgian-Regency England; she also creates a lively comedy of manners among her characters.
afterwards. It was no more than the principals were prepared for; they had calculated from the time of its being known at Randalls, how soon it would be over Highbury; and were thinking of themselves, as the evening wonder in many a family circle, with great sagacity. In general, it was a very well approved match. Some might think him, and others might think her, the most in luck. One set might recommend their all removing to Donwell, and leaving Hartfield for the John Knightleys; and another might predict disagreements among their servants; but yet, upon the whole, there was no serious objection raised, except in one habitation, the Vicarage.—There, the surprize was not softened by any satisfaction. Mr. Elton cared little about it, compared with his wife; he only hoped “the young lady’s pride would now be contented;” and supposed “she had always meant to catch Knightley if she could;” and, on the point of living at Hartfield, could daringly exclaim, “Rather he than I!”—But Mrs. Elton was very much discomposed indeed.—“Poor Knightley! poor fellow!—sad business for him.”—She was extremely concerned; for, though very eccentric, he had a thousand good
Other classics
August Strindberg
Röda Rummet
Marcel Proust
Within a Budding Grove
Ernest Hemingway
In Our Time
Hjalmar Söderberg
Förvillelser
Henry David Thoreau
Walden
F. Scott Fitzgerald
The Great Gatsby
William Shakespeare
Romeo and Juliet
Lewis Carroll
Alice's Adventures in Wonderland
Elizabeth Cleghorn Gaskell
Cranford
Victoria Benedictsson
Modern
August Strindberg
Inferno
Mary Shelley
Frankenstein
Marcel Proust
Swann's Way
Virginia Woolf
Mrs. Dalloway
Fyodor Dostoyevsky
Crime and Punishment
Louisa May Alcott
Aunt Jo’s Scrap-Bag Vol. 1
Franz Kafka
The Metamorphosis
Oscar Wilde
The Picture of Dorian Gray
Emily Brontë
Wuthering Heights
Herman Melville
Moby-Dick; or, The WhaleYour Writing Progress
Why Type a Masterpiece?
Typing out classical literature is not just an exercise in patience; it's a deeply immersive way to understand the rhythm, structure, and nuances of great writing. By manually reproducing the works of renowned authors, you engage with the text on a level that reading alone cannot offer. This method allows you to feel the flow of sentences, the choice of words, and the intricate construction of paragraphs that make these works timeless.
Style is a very simple matter; it is all rhythm. Once you get that, you can't use the wrong words.
– Virginia Woolf
literati is a unique platform where writers can select from a vast collection of public domain classics to type out. This practice is akin to a musician playing pieces by the masters to internalize the elements of composition and performance. Just as the musician learns the subtleties of each note and chord, the writer learns the power of each word and sentence.
Prose is like hair; it shines with combing.
– Gustave Flaubert
Engaging directly with masterpieces allows writers to absorb the rhythm of the text, the ebb and flow of its pacing, and the beauty of its imagery. It cultivates an appreciation for the craft of writing and provides invaluable lessons in how to construct compelling narratives, develop characters, and evoke emotions in readers. Happy typing!
The only truth is music.
– Jack Kerouac