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Practice your writing by typing out classic literature. This method not only enhances your understanding of rhythm, structure, and nuances but also connects you deeply with the timeless flow of literary history.This is a BETA version.
Emma
by Jane Austen
Emma, by Jane Austen, is a novel about youthful hubris and the perils of misconstrued romance. The story takes place in the fictional village of Highbury and the surrounding estates of Hartfield, Randalls, and Donwell Abbey and involves the relationships among individuals in those locations consisting of "3 or 4 families in a country village." The novel was first published in December 1815. As in her other novels, Austen explores the concerns and difficulties of genteel women living in Georgian-Regency England; she also creates a lively comedy of manners among her characters.
able to ascertain what the chances for it were.—She should see them henceforward with the closest observance; and wretchedly as she had hitherto misunderstood even those she was watching, she did not know how to admit that she could be blinded here.—He was expected back every day. The power of observation would be soon given—frightfully soon it appeared when her thoughts were in one course. In the meanwhile, she resolved against seeing Harriet.—It would do neither of them good, it would do the subject no good, to be talking of it farther.—She was resolved not to be convinced, as long as she could doubt, and yet had no authority for opposing Harriet’s confidence. To talk would be only to irritate.—She wrote to her, therefore, kindly, but decisively, to beg that she would not, at present, come to Hartfield; acknowledging it to be her conviction, that all farther confidential discussion of _one_ topic had better be avoided; and hoping, that if a few days were allowed to pass before they met again, except in the company of others—she objected only to a tête-à-tête—they might be able to act as if they had forgotten the conversation of yesterday.—Harriet submitted,
Other classics
William Shakespeare
Romeo and Juliet
Hjalmar Söderberg
Förvillelser
August Strindberg
Röda Rummet
Lewis Carroll
Alice's Adventures in Wonderland
Henry David Thoreau
Walden
Louisa May Alcott
Aunt Jo’s Scrap-Bag Vol. 1
Fyodor Dostoyevsky
Crime and Punishment
Virginia Woolf
Mrs. Dalloway
Mary Shelley
Frankenstein
F. Scott Fitzgerald
The Great Gatsby
Victoria Benedictsson
Modern
Elizabeth Cleghorn Gaskell
Cranford
Franz Kafka
The Metamorphosis
Ernest Hemingway
In Our Time
Marcel Proust
Swann's Way
Marcel Proust
Within a Budding Grove
August Strindberg
Inferno
Emily Brontë
Wuthering Heights
Oscar Wilde
The Picture of Dorian Gray
Herman Melville
Moby-Dick; or, The WhaleWhy Type a Masterpiece?
Typing out classical literature is not just an exercise in patience; it's a deeply immersive way to understand the rhythm, structure, and nuances of great writing. By manually reproducing the works of renowned authors, you engage with the text on a level that reading alone cannot offer. This method allows you to feel the flow of sentences, the choice of words, and the intricate construction of paragraphs that make these works timeless.
Style is a very simple matter; it is all rhythm. Once you get that, you can't use the wrong words.
– Virginia Woolf
literati is a unique platform where writers can select from a vast collection of public domain classics to type out. This practice is akin to a musician playing pieces by the masters to internalize the elements of composition and performance. Just as the musician learns the subtleties of each note and chord, the writer learns the power of each word and sentence.
Prose is like hair; it shines with combing.
– Gustave Flaubert
Engaging directly with masterpieces allows writers to absorb the rhythm of the text, the ebb and flow of its pacing, and the beauty of its imagery. It cultivates an appreciation for the craft of writing and provides invaluable lessons in how to construct compelling narratives, develop characters, and evoke emotions in readers. Happy typing!
The only truth is music.
– Jack Kerouac