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Practice your writing by typing out classic literature. This method not only enhances your understanding of rhythm, structure, and nuances but also connects you deeply with the timeless flow of literary history.This is a BETA version.
Emma
by Jane Austen
Emma, by Jane Austen, is a novel about youthful hubris and the perils of misconstrued romance. The story takes place in the fictional village of Highbury and the surrounding estates of Hartfield, Randalls, and Donwell Abbey and involves the relationships among individuals in those locations consisting of "3 or 4 families in a country village." The novel was first published in December 1815. As in her other novels, Austen explores the concerns and difficulties of genteel women living in Georgian-Regency England; she also creates a lively comedy of manners among her characters.
be pitied for having. If it were to be shared with the woman he loved, he could not think any man to be pitied for having that house. There must be ample room in it for every real comfort. The man must be a blockhead who wanted more. Mrs. Weston laughed, and said he did not know what he was talking about. Used only to a large house himself, and without ever thinking how many advantages and accommodations were attached to its size, he could be no judge of the privations inevitably belonging to a small one. But Emma, in her own mind, determined that he _did_ know what he was talking about, and that he shewed a very amiable inclination to settle early in life, and to marry, from worthy motives. He might not be aware of the inroads on domestic peace to be occasioned by no housekeeper’s room, or a bad butler’s pantry, but no doubt he did perfectly feel that Enscombe could not make him happy, and that whenever he were attached, he would willingly give up much of wealth to be allowed an early establishment. CHAPTER VII Emma’s very good opinion of Frank Churchill was a little shaken the
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William Shakespeare
Romeo and Juliet
Hjalmar Söderberg
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August Strindberg
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Lewis Carroll
Alice's Adventures in Wonderland
Henry David Thoreau
Walden
Louisa May Alcott
Aunt Jo’s Scrap-Bag Vol. 1
Fyodor Dostoyevsky
Crime and Punishment
Virginia Woolf
Mrs. Dalloway
Mary Shelley
Frankenstein
F. Scott Fitzgerald
The Great Gatsby
Victoria Benedictsson
Modern
Elizabeth Cleghorn Gaskell
Cranford
Franz Kafka
The Metamorphosis
Ernest Hemingway
In Our Time
Marcel Proust
Swann's Way
Marcel Proust
Within a Budding Grove
August Strindberg
Inferno
Emily Brontë
Wuthering Heights
Oscar Wilde
The Picture of Dorian Gray
Herman Melville
Moby-Dick; or, The WhaleWhy Type a Masterpiece?
Typing out classical literature is not just an exercise in patience; it's a deeply immersive way to understand the rhythm, structure, and nuances of great writing. By manually reproducing the works of renowned authors, you engage with the text on a level that reading alone cannot offer. This method allows you to feel the flow of sentences, the choice of words, and the intricate construction of paragraphs that make these works timeless.
Style is a very simple matter; it is all rhythm. Once you get that, you can't use the wrong words.
– Virginia Woolf
literati is a unique platform where writers can select from a vast collection of public domain classics to type out. This practice is akin to a musician playing pieces by the masters to internalize the elements of composition and performance. Just as the musician learns the subtleties of each note and chord, the writer learns the power of each word and sentence.
Prose is like hair; it shines with combing.
– Gustave Flaubert
Engaging directly with masterpieces allows writers to absorb the rhythm of the text, the ebb and flow of its pacing, and the beauty of its imagery. It cultivates an appreciation for the craft of writing and provides invaluable lessons in how to construct compelling narratives, develop characters, and evoke emotions in readers. Happy typing!
The only truth is music.
– Jack Kerouac