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Practice your writing by typing out classic literature. This method not only enhances your understanding of rhythm, structure, and nuances but also connects you deeply with the timeless flow of literary history.This is a BETA version.
Emma
by Jane Austen
Emma, by Jane Austen, is a novel about youthful hubris and the perils of misconstrued romance. The story takes place in the fictional village of Highbury and the surrounding estates of Hartfield, Randalls, and Donwell Abbey and involves the relationships among individuals in those locations consisting of "3 or 4 families in a country village." The novel was first published in December 1815. As in her other novels, Austen explores the concerns and difficulties of genteel women living in Georgian-Regency England; she also creates a lively comedy of manners among her characters.
situation as mine. Fortune I do not want; employment I do not want; consequence I do not want: I believe few married women are half as much mistress of their husband’s house as I am of Hartfield; and never, never could I expect to be so truly beloved and important; so always first and always right in any man’s eyes as I am in my father’s.” “But then, to be an old maid at last, like Miss Bates!” “That is as formidable an image as you could present, Harriet; and if I thought I should ever be like Miss Bates! so silly—so satisfied—so smiling—so prosing—so undistinguishing and unfastidious—and so apt to tell every thing relative to every body about me, I would marry to-morrow. But between _us_, I am convinced there never can be any likeness, except in being unmarried.” “But still, you will be an old maid! and that’s so dreadful!” “Never mind, Harriet, I shall not be a poor old maid; and it is poverty only which makes celibacy contemptible to a generous public! A single woman, with a very narrow income, must be a ridiculous, disagreeable old maid! the proper sport of boys and girls, but a single woman, of good fortune, is always respectable, and may be as sensible and
Other classics
William Shakespeare
Romeo and Juliet
Hjalmar Söderberg
Förvillelser
August Strindberg
Röda Rummet
Lewis Carroll
Alice's Adventures in Wonderland
Henry David Thoreau
Walden
Louisa May Alcott
Aunt Jo’s Scrap-Bag Vol. 1
Fyodor Dostoyevsky
Crime and Punishment
Virginia Woolf
Mrs. Dalloway
Mary Shelley
Frankenstein
F. Scott Fitzgerald
The Great Gatsby
Victoria Benedictsson
Modern
Elizabeth Cleghorn Gaskell
Cranford
Franz Kafka
The Metamorphosis
Ernest Hemingway
In Our Time
Marcel Proust
Swann's Way
Marcel Proust
Within a Budding Grove
August Strindberg
Inferno
Emily Brontë
Wuthering Heights
Oscar Wilde
The Picture of Dorian Gray
Herman Melville
Moby-Dick; or, The WhaleWhy Type a Masterpiece?
Typing out classical literature is not just an exercise in patience; it's a deeply immersive way to understand the rhythm, structure, and nuances of great writing. By manually reproducing the works of renowned authors, you engage with the text on a level that reading alone cannot offer. This method allows you to feel the flow of sentences, the choice of words, and the intricate construction of paragraphs that make these works timeless.
Style is a very simple matter; it is all rhythm. Once you get that, you can't use the wrong words.
– Virginia Woolf
literati is a unique platform where writers can select from a vast collection of public domain classics to type out. This practice is akin to a musician playing pieces by the masters to internalize the elements of composition and performance. Just as the musician learns the subtleties of each note and chord, the writer learns the power of each word and sentence.
Prose is like hair; it shines with combing.
– Gustave Flaubert
Engaging directly with masterpieces allows writers to absorb the rhythm of the text, the ebb and flow of its pacing, and the beauty of its imagery. It cultivates an appreciation for the craft of writing and provides invaluable lessons in how to construct compelling narratives, develop characters, and evoke emotions in readers. Happy typing!
The only truth is music.
– Jack Kerouac