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Aunt Jo’s Scrap-Bag Vol. 1
by Louisa May Alcott
Aunt Jo’s Scrap-Bag Vol. 1 is a collection of short stories by Louisa May Alcott, first published in 1868. It is a collection of stories for children that explore themes of adventure, family, and the human condition.
chateaus. In one of these so sad parties being driven to St. Malo to be shot, was this young girl. Only fifteen, dear ladies, behold how young is this! and see the brave thing she did! With her went the old grandmother whom she loved next the good God. They went slowly, she was so old, and one of the officers who guarded them had pity on the pretty girl, and said to her as they were a little apart from the rest, "Come, you are young, and can run. I will save you; it is a pity so fine a little girl should be shot." 'Then she was glad and thanked him much, saying, "And the grandmother also? You will save her with me?" "It is impossible," says the officer. "She is too old to run. I can save but one, and her life is nearly over; let her go, and do you fly into the next wood. I will not betray you, and when we come up with the gang it will be too late to find you." 'Then the great temptation of Satan came to this girl. She had no wish to suffer, but she could not leave the good old grandmere to die alone. She wept, she prayed, and the saints gave her courage. '"No, I will not go," she said; and in the morning at St. Malo she was
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Typing out classical literature is not just an exercise in patience; it's a deeply immersive way to understand the rhythm, structure, and nuances of great writing. By manually reproducing the works of renowned authors, you engage with the text on a level that reading alone cannot offer. This method allows you to feel the flow of sentences, the choice of words, and the intricate construction of paragraphs that make these works timeless.
Style is a very simple matter; it is all rhythm. Once you get that, you can't use the wrong words.
– Virginia Woolf
literati is a unique platform where writers can select from a vast collection of public domain classics to type out. This practice is akin to a musician playing pieces by the masters to internalize the elements of composition and performance. Just as the musician learns the subtleties of each note and chord, the writer learns the power of each word and sentence.
Prose is like hair; it shines with combing.
– Gustave Flaubert
Engaging directly with masterpieces allows writers to absorb the rhythm of the text, the ebb and flow of its pacing, and the beauty of its imagery. It cultivates an appreciation for the craft of writing and provides invaluable lessons in how to construct compelling narratives, develop characters, and evoke emotions in readers. Happy typing!
The only truth is music.
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