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Aunt Jo’s Scrap-Bag Vol. 1
by Louisa May Alcott
Aunt Jo’s Scrap-Bag Vol. 1 is a collection of short stories by Louisa May Alcott, first published in 1868. It is a collection of stories for children that explore themes of adventure, family, and the human condition.
little one?' 'Oh, yes, mademoiselle! Nannette gives fine milk, and no one has yet engaged her,' answered the child, her whole face brightening at the prospect. 'What name have you?' 'Marie Rosier, mademoiselle.' 'And you live at Lehon?' 'Yes, mademoiselle.' 'Have you parents?' 'Truly, yes, of the best. My father has a loom, my mother works in the field and mill with brother Yvon, and I go to school and care for Nannette and nurse little Bebe.' 'What school?' 'At the convent, mademoiselle. The good sisters teach us the catechism, also to write and read and sew. I like it much,' and Marie glanced at the little prayer in her apron pocket, as if proud to show she could read it. 'What age have you?' 'Ten years, mademoiselle.' 'You are young to do so much, for we often see you in the market buying and selling, and sometimes digging in your garden there below, and bringing water from the river. Do you love work as well as school?' 'Ah, no; but mademoiselle knows it is necessary to work: every one does, and I'm glad to do my part. Yvon works much harder than I, and the father sits all day at his loom, yet he is sick and suffers much. Yes, I
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Typing out classical literature is not just an exercise in patience; it's a deeply immersive way to understand the rhythm, structure, and nuances of great writing. By manually reproducing the works of renowned authors, you engage with the text on a level that reading alone cannot offer. This method allows you to feel the flow of sentences, the choice of words, and the intricate construction of paragraphs that make these works timeless.
Style is a very simple matter; it is all rhythm. Once you get that, you can't use the wrong words.
– Virginia Woolf
literati is a unique platform where writers can select from a vast collection of public domain classics to type out. This practice is akin to a musician playing pieces by the masters to internalize the elements of composition and performance. Just as the musician learns the subtleties of each note and chord, the writer learns the power of each word and sentence.
Prose is like hair; it shines with combing.
– Gustave Flaubert
Engaging directly with masterpieces allows writers to absorb the rhythm of the text, the ebb and flow of its pacing, and the beauty of its imagery. It cultivates an appreciation for the craft of writing and provides invaluable lessons in how to construct compelling narratives, develop characters, and evoke emotions in readers. Happy typing!
The only truth is music.
– Jack Kerouac