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Aunt Jo’s Scrap-Bag Vol. 1
by Louisa May Alcott
Aunt Jo’s Scrap-Bag Vol. 1 is a collection of short stories by Louisa May Alcott, first published in 1868. It is a collection of stories for children that explore themes of adventure, family, and the human condition.
I'm afraid he had a shaking, for I saw him glowering fiercely as he came out later with a basket, going some 'confounded errand.' Occasionally his father brings him out and whips him for some extra bad offence, during which performance he howls dismally; but when he is left sitting despondently and miraculously on an old chair without any seat, he soon cheers up, boos at a strange cat, whistles to his dog,--who is just like him,--or falls back on that standing cure for all the ills that boys are heir to, and whittles vigorously. I know I ought to frown upon this reprehensible young person, and morally close my eyes to his pranks; but I really can't do it, and am afraid I find this little black sheep the most interesting of the flock. The girls have tea-parties, make calls, and play mother, of course; and the sisters of the good boy have capital times up in a big nursery, with such large dollies that I can hardly tell which are the babies and which the mammas. One little girl plays about at home with a dirty face, tumbled hair, and an old pinafore on. She won't be made tidy, and I see her kick and cry when they try to make her neat. Now and then there is a
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Typing out classical literature is not just an exercise in patience; it's a deeply immersive way to understand the rhythm, structure, and nuances of great writing. By manually reproducing the works of renowned authors, you engage with the text on a level that reading alone cannot offer. This method allows you to feel the flow of sentences, the choice of words, and the intricate construction of paragraphs that make these works timeless.
Style is a very simple matter; it is all rhythm. Once you get that, you can't use the wrong words.
– Virginia Woolf
literati is a unique platform where writers can select from a vast collection of public domain classics to type out. This practice is akin to a musician playing pieces by the masters to internalize the elements of composition and performance. Just as the musician learns the subtleties of each note and chord, the writer learns the power of each word and sentence.
Prose is like hair; it shines with combing.
– Gustave Flaubert
Engaging directly with masterpieces allows writers to absorb the rhythm of the text, the ebb and flow of its pacing, and the beauty of its imagery. It cultivates an appreciation for the craft of writing and provides invaluable lessons in how to construct compelling narratives, develop characters, and evoke emotions in readers. Happy typing!
The only truth is music.
– Jack Kerouac