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Aunt Jo’s Scrap-Bag Vol. 1
by Louisa May Alcott
Aunt Jo’s Scrap-Bag Vol. 1 is a collection of short stories by Louisa May Alcott, first published in 1868. It is a collection of stories for children that explore themes of adventure, family, and the human condition.
it gets too hot for him there about dinner-time; for he often comes out into the yard for a walk at noon, and seems to find endless wonders and delights in the ash barrel, the water-but, two old flower-pots, and a little grass plat, in which he plants a choice variety of articles, in the firm faith they will come up in full bloom. I hope the big spoon and his own red shoe will sprout and appear before any trouble is made about their mysterious disappearance. At night I see a little shadow bobbing about on the curtain, and watch it, till with a parting glimpse at a sleepy face at the window, my small sun sets, and I leave him to his dreams. The forlorn baby roars all day, and I don't blame him; for he is trotted, shaken, spanked, and scolded by a very cross nurse, who treats him like a meal bag. I pity that little neighbour, and don't believe he will stand it long; for I see him double up his tiny fists, and spar away at nothing, as if getting ready for a good tussle with the world by and by, if he lives to try it. Then the boys,--bless their buttons!--how amusing they are. One young man, aged about ten, keeps hens; and the trials of that boy are really
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Typing out classical literature is not just an exercise in patience; it's a deeply immersive way to understand the rhythm, structure, and nuances of great writing. By manually reproducing the works of renowned authors, you engage with the text on a level that reading alone cannot offer. This method allows you to feel the flow of sentences, the choice of words, and the intricate construction of paragraphs that make these works timeless.
Style is a very simple matter; it is all rhythm. Once you get that, you can't use the wrong words.
– Virginia Woolf
literati is a unique platform where writers can select from a vast collection of public domain classics to type out. This practice is akin to a musician playing pieces by the masters to internalize the elements of composition and performance. Just as the musician learns the subtleties of each note and chord, the writer learns the power of each word and sentence.
Prose is like hair; it shines with combing.
– Gustave Flaubert
Engaging directly with masterpieces allows writers to absorb the rhythm of the text, the ebb and flow of its pacing, and the beauty of its imagery. It cultivates an appreciation for the craft of writing and provides invaluable lessons in how to construct compelling narratives, develop characters, and evoke emotions in readers. Happy typing!
The only truth is music.
– Jack Kerouac