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Aunt Jo’s Scrap-Bag Vol. 1
by Louisa May Alcott
Aunt Jo’s Scrap-Bag Vol. 1 is a collection of short stories by Louisa May Alcott, first published in 1868. It is a collection of stories for children that explore themes of adventure, family, and the human condition.
people's back windows; and it is quite impossible for me to help seeing and being interested in my neighbours. There are a good many children in those houses; and though I don't know one of their names, I know them a great deal better than they think I do. I never spoke a word to any of them, and never expect to do so; yet I have my likes and dislikes among them, and could tell them things that they have said and done, which would astonish them very much, I assure you. First, the babies,--for there are three: the aristocratic baby, the happy-go-lucky baby, and the forlorn baby. The aristocratic baby lives in a fine, well-furnished room, has a pretty little mamma, who wears white gowns, and pink ribbons in her cap; likewise, a fond young papa, who evidently thinks this the most wonderful baby in Boston. There is a stout, motherly lady, who is the grandma, I fancy, for she is always hovering about 'the dear' with cups, blankets, or a gorgeous red worsted bird to amuse it. Baby is a plump, rosy, sweet-faced little creature, always smiling and kissing its hand to the world in general. In its pretty white frocks, with its own little pink or blue ribbons, and its
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Typing out classical literature is not just an exercise in patience; it's a deeply immersive way to understand the rhythm, structure, and nuances of great writing. By manually reproducing the works of renowned authors, you engage with the text on a level that reading alone cannot offer. This method allows you to feel the flow of sentences, the choice of words, and the intricate construction of paragraphs that make these works timeless.
Style is a very simple matter; it is all rhythm. Once you get that, you can't use the wrong words.
– Virginia Woolf
literati is a unique platform where writers can select from a vast collection of public domain classics to type out. This practice is akin to a musician playing pieces by the masters to internalize the elements of composition and performance. Just as the musician learns the subtleties of each note and chord, the writer learns the power of each word and sentence.
Prose is like hair; it shines with combing.
– Gustave Flaubert
Engaging directly with masterpieces allows writers to absorb the rhythm of the text, the ebb and flow of its pacing, and the beauty of its imagery. It cultivates an appreciation for the craft of writing and provides invaluable lessons in how to construct compelling narratives, develop characters, and evoke emotions in readers. Happy typing!
The only truth is music.
– Jack Kerouac